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Okay.
She doesn't want to go first.
So you don't get the story of the yogi.
first you get his poetry
tonight
so tonight's featured yogi
is
Virupa
and he's very important for the
Tibetan lineages, especially the Sakya
lineages, who call him
Virwapa
so I'll just read
his, it's called his Song of the Inner
Fire
which is
like Tumut Doha Koka
duntam te drupalat chak chalo
you know, every night
the yogis have been bowing down to
their teacher first
so normally we bow down to our teacher first
but he bows down to something different
I bow down to the attainment of all that everyone needs
so he's bowing down to
everybody getting what their heart wishes
and usually this has two stages
first you become someone who can really help other people.
You reach the end of yoga
and then you achieve the needs of other people.
So it's a two-step process.
They say a starving person should first feed themselves
and then run and get food for the family.
Like that.
So first we bring our own yoga to success,
to its completion,
and then we can really help other people.
So he bows down to everyone getting what they need,
both ourselves and other people.
Then he says,
Nang ne tumu mem garwe,
una duzi babarche rang chung,
donbu kepai semurila chinte ne.
The blacksmith at the inner forge
brings the nectar of deathlessness
falling down through the center.
And there a tree trunk grows on its own.
Climb now to its top and live now on the mountain.
This is a reference to something we'll talk about tonight.
In Tibetan they call tumo,
in Sanskrit chandali,
and also kundalini.
And it's about the process of raising the inner fire,
and then causing nectar to come down the central channel,
bringing the wind and the nectars into the central channel,
sushumna.
So this is a reference to that.
The inner blacksmith is your kundalini.
And the mountain is the core in the Yoga Sittra.
What did they call it?
Central channel.
Polestar.
The Polestar.
How do you say that?
Dhruva.
Dhruva.
Yeah.
Dhruva means the core.
Meaning your central channel after it's filled with prana.
Then it says, what's it say?
Gunpa Duchi Baba Che.
Korwe Dunya Yunring Chon.
He brings the nectar of deathlessness falling down
and the pain of life from time with no beginning
is brought to its final destruction.
And then we are beyond all fear of coming to the Lord of death.
And then we wear the crystal beads of the qualities of enlightenment.
We'll talk tonight, we're going to reach
the end of the asanas, the last few poses.
We're going to reach Maya Asana,
Peacock Pulse.
And then he'll be speaking about
death and old age.
And what can the Asanas really do for that?
So we'll wait for that, I think.
Deva Champo Gyeva Yi
Tam Je Gini Khyabang Yur
Korwe Dunya Yuring Chong
Shinjir Doi Jig Papang
And then the bliss is born
and then it spreads to every place.
The pain of life destroyed.
no fear of coming to the Lord of Death.
Naropa's monk's name was Abhaya.
Abhaya means no more fear.
And if we study yoga well,
if we learn yoga well,
then you will come to a point, Abhaya.
And Abhaya means
nothing at all ever to worry about anymore.
Never. Anything.
Like no fear about anything.
death, or getting old, or losing friends, or having things, or being loved.
No fear ever again.
Never any more worries about anything.
And you can, yoga is meant to take you to a place of a bhaya, no more fear.
You reach a place where your future is assured, and you see it.
You see, it's one thing to believe your future is assured.
It's another thing to see your future directly,
to see what will happen to you in the next hundred years,
or five hundred years, or a million years.
If you can get the prana into the central channel
through the practice of Hatha Yoga,
and then moving on to Raja Yoga,
then you reach this beautiful place where,
you know, you still have worries about
whether the bus is going to come on time.
and you still have
little problems with people
you still have small problems
but
you have like this Dalai Lama happiness
you know you have this
grin in your mind all the time
because you have seen what is going to come
and you don't have any fear anymore
it's such a
gift
if you can
if for no other reason
we should reach it for other people
right?
if for no other reason
we should take yoga
to its final end
just so we could give this gift
to other people
you see?
like I could teach you
to see your future
I could teach you
how to assure
your future
and the future of everyone you love
you see?
and then
what a gift
to give people
you are all
many of you are teaching
yoga. And again, please
work hard. It's Monday, right?
Monday is like an evil day in New York.
It's like,
I know I did 15 years in the corporate.
I was there. I saw my boss last night.
We had dinner.
He's nervous.
He has to go out early on Sunday
because tomorrow's Monday.
And you have to get up early
and go back to work.
And it's sort of a
it's a pain, right?
But if you can reach the end of your yoga,
the small things will come,
the small problems will come.
But imagine what it's like
to see the future clearly,
and to see what you will become,
and to see the day that you will
open the channels
and become a being of light.
Imagine what it's like for a person
to go through life
having seen that already,
like how
how is life for them
how do they feel
everyday
how's their level of happiness
how
how can they serve others
right
so
that's what this verse is about
now you get to hear
Mahasiddha Virupa's
story of his life
so the last person in the lineage we had was charpati right and now we're going backwards
we're going up from that so we're um
before Charupati was someone named Bileshaya,
who is also in your list,
but we're not going to talk about him.
He doesn't have any good stories in the text.
But it's an interesting name.
It means the one who stays in a hole,
and it's the name for a snake.
So that's Bileshaya.
And then Dombipa comes before that,
and he's not in the list in the Hatha Yoga Pradipika,
lineage in your chapter one. But he comes between Bileshaya and who we're going to talk
about now, who's Varepa. And he's well known in the early Tibetan lineages, you know, the
Maha cities of ancient India. So Varepa, Varepa, Varepa means what? Do you remember? Form,
or body or shape
and normally
sometimes it means bad
so it's like deformed
this name actually means deformed one
but it's an abbreviation for
Virupaksha
which means
Aksha means eye
so it's like
the one with the strange eye
the one with the eye that's slightly off
and it means his third eye
and it actually means
that
Lama Virupa had opened his Ajna Chakra, you know,
and he had the power of the cities that are granted to somebody who has a third eye, right?
So Virupa grew up in the monastery.
He was ordained at a very young age into the Buddhist tradition in ancient India and Bengal
in a monastery called Somapur.
And he was going into retreat, and he was trying to practice the sadhana of the angel Vajrayogini.
So when you go into a retreat trying to practice a certain angel's sadhana,
you're trying to reach them in two different ways.
First, you're trying to meet them.
You're trying to come into contact with them.
So you're praying that the angel will come to you.
And then the second thing is you're actually trying to become them.
So Virupa practiced his sadhana for 12 years.
He did Vajrayogini's mantra and nothing happened.
You know, the 12 years is supposed to be this magic number.
So he goes in for 12 years and nothing happens.
And he gets so disgusted that he has this rosary, this mala.
And he's been doing the prayers of Vajrayogini on his mala every single day.
He throws it in the toilet.
He's so disgusted that it's been 12 years and he's seen no sign of the deity.
Nothing special has happened to him.
No miracles, nothing.
So that evening, the deity appears with his mala and says,
You forgot something.
You know, dear Barupa, please don't give up your practice.
Please continue.
You've been looking for your angel in the wrong place.
The angel you are looking for is self-existent.
And she doesn't exist.
The angel you're looking for doesn't exist.
And so you'd never be able to find her.
You have to understand emptiness.
You have to understand the emptiness of your deity.
You have to understand that the angel comes from inside you.
You don't have to look any further for your angel than your own mind.
And then she disappears.
And then leaves Virufa to practice for another 12 years.
Like he starts all over.
So he practices for 12 more years
And he gains power over death
He gains deathlessness
He gains the ability to transform his body
Into any form that he wants
And not have to die
We would say in our tradition
He gained the light body
A light body meaning a body that
It looks solid
But really it's not made of flesh and blood
It's made of light
And it can just transform at will
So after he gained this light body, he started doing these very strange yogi practices.
And he was still living in the monastery, but he started drinking alcohol and eating meat,
which is completely forbidden and unheard of in a Buddhist monastery.
So he was asking his attendants to go kill the pigeons that flew on the roof of the monastery so that he could have pigeon dinner.
And they were doing it for him.
And then one of the older monks who used to feed the pigeons started noticing that the pigeons were disappearing.
And he called an investigation in the monastery.
And they found out someone spied on Barufa like inside his door.
And they saw him feasting on this pigeon dinner with this wine.
And they busted him, you know.
It's a very funny story.
So they had an assembly of all the monks.
And they decided to expel him from the monastery.
So he said, okay, okay, fine, I'll leave the monastery.
And he walks out the doors.
And there's this great big lake right in front of the monastery.
and he just walks right across the lake on the top of the water to the other side.
And then the monks are like, oops.
He's obviously not the bad monk that we thought that he was.
So they go and run and make their prostrations and say, you're a great yogi,
but why were you killing the pigeons?
And he said, bring the pigeon bones to me.
And so they brought the pigeon bones, and he held them in his hand,
and then he snaps his finger with the other hand, and they fly away.
They come to life and fly away.
I don't know, I like to think of this as a story of,
well, you can eat meat if you know how to bring it back to life afterwards.
And until then, you know, you should keep all of your yamas and niyamas very strictly.
But I think one of the morals of this story is that we can never know who another person is.
And someone might look like they're doing something very weird or even wrong,
and you don't know what's in their mind, and you don't know what kind of person they are.
Until you get the ability to read somebody else's mind, you can never for sure know their intentions.
You can never know for sure if they're not a great yogi who's somehow trying to teach you something.
Virupa has a lot of other stories.
Geshe asked me to tell you one more because it's his favorite story.
He's on the road because he didn't go back to the monastery after they begged him to stay.
He said, no, no, you kicked me out, I'm out.
And so he's wandering through India.
And he stops at a tavern in the middle of the day.
And he orders like a plate of rice and some wine.
And he eats it.
And then he orders more wine and more wine and more wine.
And until the tavern is dry.
Right?
He finishes off all the alcohol in the tavern.
And the hostess, she's like, well, can I get you to pay your bill now?
Because she's afraid that he's spending all this money and he doesn't have any money.
He looks pretty ragged.
He's got a loincloth on.
He doesn't look like he has a lot of money in that pocket.
So he says, I'll pledge you the son for my bill.
And he takes his ritual dagger, and he finds the line between darkness and light.
And he stabs it.
And he suspends the sun in the sky for days.
And he keeps drinking.
So he drank 500 elephant loads of alcohol.
And in that time, the king of the region, he was getting mighty concerned that the sun had not gone down for five days.
He and his ministers, they couldn't figure out why, you know.
And finally in a dream, a dakini came and whispered to the king,
it's this yogi, Verupa, he's at this tavern, you've got to go pay the bill or he'll keep the sun in the sky.
So the king goes into the tavern and pays the bill, and then he releases the sun to pass its course in the sky.
It's a difficult...
Let's go back to the first part of the story.
I think the moral of the first 12 years of Varupa's life is a very important one for us.
We need to understand what we are doing when we practice.
We need the inner method as well as the outer method.
We need to work on understanding emptiness as we go through our sadhanas,
as we go through our poses, as we go through everything that has to do with yoga.
Nothing works if you don't understand how it's working.
Nothing will work for you very well.
The moral of the third story is, I don't know.
So strange things start to become a practice to you once you become a high yogi.
He took the practice of completely overindulging his senses in order to teach the people around him.
You know, and again, it's that we can't judge what's going on.
You know, we can't judge the people around us.
Even if they're drinking 500 elephant cartloads of alcohol in front of us,
you never know what they might be teaching us.
We're going to continue with reading four from last Thursday.
We're going to try to catch up tonight. We'll see.
Sort of.
Sharon's laughing. Okay.
Okay.
Matyendra is supposed to...
Oh, I need my model.
Where's the model?
Any runaway?
No.
Come on.
Do we have a mat?
Let me get...
You don't mind to do it
with a bunch of flower petals, do you?
You have to get into Matyendra.
Matyendra I can do.
It's the later ones I can do.
But lengthwise, it's probably better.
We can lose it if we need to.
Achimdhya's pose makes the shining light in the belly burn with intensity.
It is a mighty battle hammer that can smash the worst of diseases, even leprosy.
Leprosy here has the word mandala in it, because it had little round spots.
So mandala used to mean round.
Practiced diligently, it helps people awaken the serpent fire,
and makes the moon shine steadily.
So here, they're describing the benefits of this post.
We spoke about it last Friday.
It's opening, the important thing is that it's stretching and opening the two side channels,
the ida and the pingala channels.
It's causing the free flow of air, and in the Tibetan they would say
that those channels in their current condition
are damaged and incomplete,
and that when you take a pose like this,
it sort of renews the synapse,
it renews the channel,
it makes it grow back.
Like right now, the channel,
you can think of it as ripped and incomplete,
and then in the Tibetan they would say,
this pose helps restore the channels to their...
Because normally you'd think it would be a bad thing
if you had more prana flowing through your channels of desire and anger.
But what happens is you restore the channels,
then the prana moves more freely
in order to move into the central channel.
So that's what you're doing.
In the meantime,
the movement of prana in your body helps your...
It's called jatara agni.
Jatara means belly.
Agni means fire.
And depending on how it's used,
Jatara Agni can mean your powers of digestion
on a superficial level,
and on a deeper level it means your Kundalini.
When you get a list like this,
and Kundalini is already there,
then you know that Jatara Padibdhim means
the digestive powers.
So if you have trouble digesting things,
if your digestive system is not that strong,
then this pose would help your digestion.
And I always tell her,
although she doesn't believe me,
if you're a real yogi
and your prana is really moving well,
you're just voracious all the time.
You know,
you get hungry.
You get like totally hungry all the time.
We'll talk about it tomorrow.
Maybe it's just desire for food.
I don't know.
It also says it's a mighty battle hammer
that can smash the worst of diseases.
So if your prana begins moving,
moving smoothly.
And I always think of ojas.
It's some sort of spiritual grease
in your body.
Then also,
you don't get sick very often.
So if you do,
and you know,
you can experience this
if you just do your yoga every day.
You don't have to be able
to do all the poses
that Anatole can do.
It's just that
if you,
at your current level
in your open body,
whether you're 60 or 16.
And he's going to say this later.
It doesn't matter.
If you just keep up a modest, regular practice every day,
then you just find that, after a few years,
you'll find that you won't even notice it,
but you don't get sick anymore.
Like, you very rarely get sick anymore.
You're just not liable to the kinds of sicknesses.
You know, the colds and flus and things like that
that people get, you just don't get them.
And you probably won't notice it.
You just get used to being healthy all the time.
Practice diligently.
It helps people awaken the serpent fire.
Now they're talking about Kundalini.
And I'll give you the Tibetan...
This is how the lineage came into Tibet,
the teaching on Kundalini.
Because Kundalini is a very beautiful word,
very famous.
First I'll talk about the meaning.
I mean, kunda means...
Kundal means coiled.
Or like a hose,
like a garden hose,
or like a spring, would be kundal.
And it can also mean a fire pit,
which is circular when you do these sacred fires.
And it can also mean a bathing pool,
sacred bathing pool.
Kundal can mean that.
Kundal later came to mean an earring,
because it was coiled.
So oftentimes you'll see it as that.
Kundalini means the person who possesses the coiled thing.
And Kundalini means the female, the serpent woman.
And in Tibetan, in the tradition as it came into Tibet,
it's all associated with female power,
what you call Shakti in the Shiva Shakti tradition.
So female energy.
In this interpretation, female energy is the ability to understand ultimate reality.
And male energy is the compassion
which should be joined with it.
So male and female are joined
in the sense of love, kindness for other people
being the male energy.
And then wisdom or knowledge
being the female energy.
So if you keep doing Matsyendra pose,
it particularly affects,
we talked about it already,
but there's four, four,
they call it sora,
four-finger widths.
chun in Chinese,
below your navel.
And then back in the back of your,
near a half inch,
a half inch in from the back,
is a thing called sum-do.
Say sum-do.
Sum-do.
Do in Sanskrit is sutra, you see?
And one of the old meanings of sutra
is a crossroads.
And then sum means three.
Can you draw a cha?
A cha, Luna?
And in Tibetan, when a Lama teaches you about Kundalini,
they always draw this...
I think of it as a plumbing.
I always think of like when I was fixing my Lama's sink,
I used to have to crawl under the kitchen sink and fix the pipes.
And it's a connection where three pipes are joined.
So in Tibetan, this is the letter Cha.
Can you draw the Sanskrit one?
And you can see how the Tibetan letter
derived from the Sanskrit one.
They just sort of tilted it.
And most Tibetan letters are like that.
The Tibetan letters were brought from India,
from Sanskrit, Devanagari.
So when the Tibetan Lama teaches this,
they draw a cha letter,
and they say your central channel
is that vertical line,
and then the two,
the place where the two circles join
is where your ida and pingala are coming down.
And right in the center,
can you mark it like drawing a circle?
where the three meet.
Right here is Kundalini.
Kundalini would be,
in Tibetan they call sometimes Chandali.
They just use the Sanskrit word.
Chandali means inner fire.
Chand means to be burning brightly.
And the word incandescent comes from it.
And the word Chandra for moon comes from that.
And it means burning brightly.
So the chandala or the tumal or the base of kundalini is where,
I always think of a welder's torch.
It's where the, I don't know what kind of gas they use, helium or oxygen, I don't know.
Is it oxygen?
I don't know.
What is it?
Acetylene gas.
But it's where these powerful prana gases are pouring into the joint,
into the cross joint, where the three pipes are joined.
And you get a spark of fire there.
And the Tibetans, in the Tibetan tradition,
which comes from ancient India,
which comes from the tradition of Luipa,
who we're going to talk about tomorrow,
there are two forms of inner heat.
One is a superficial inner heat,
and they say it stays under the skin,
and you might feel warm.
And this is where you see Tibetan yogis,
they go out and they take a wet sheet,
and they wrap it around,
they strip, they wrap a sheet around them
and then they have contacts to see who can dry it the fastest.
And this is called superficial inner heat.
And it's a sign that things are going well
but it's not the real inner heat.
Real inner heat, real kundalini
and the real opening of kundalini
is a kind of knowledge.
The winds are flowing, the prana is starting to flow
But as the prana enters the sushumna,
then your ability to understand your own reality becomes heightened.
And the more prana you can get into the central channel,
then the more your knowledge increases.
And you have a closed system.
There's only a certain amount of prana in your body.
As you suck prana out of the two side channels into that joint,
and as it's brought into the central channel,
then eventually the side channels start to wither.
They call them vines, right?
They call them like ivy.
And then they start to wither and they start to fall apart.
And that's going to be, we're going to talk about it later,
tomorrow or the next day we'll start into the fourth chapter,
which is laya, which is like dissolution.
And then the dissolution of the side channels begins.
And then kundalini rises, the inner heat,
which is not a physical heat.
you could think of it as the emotion of honey moving through your backbone
combined with knowledge, something like that, combined with understanding.
So there is a physical sensation of something of light,
which feels like honey going through your backbone,
but the important thing
is that your knowledge
or your understanding of your world
transforms completely
your old ideas are shattered
and then new ideas come
and this is the real rising of Kundalini
so that's the
I think that's the third benefit
the last benefit mentioned here
is that the moon shines
steadily
and this is a reference to
an element, we call white element,
it's called Changseng Karpu in Tibetan.
But there is an element
which stays at the top of your central channel,
just below Brahma's gate,
right, Raghmarandra, here.
And there's an energy that stays there.
And once you start moving the energy
from below your navel,
once that prana starts to rise,
they say it's like
holding a wax candle over a pot,
which is boiling,
and then the wax begins to soften,
and then it begins to drip like that.
And then so there's an energy here
that once the kudalini starts to rise,
then an energy that's associated
with the white color of the moon
begins to drip down the central channel like honey.
And again, it's not so much that a physical feeling is important,
and in fact, high bodhisattvas are,
there's a vow against entering into these practices
for their physical enjoyment.
You see, like you could just sit there and enjoy this feeling
of this honey moving down your spine,
but it wouldn't help anybody else, you see.
it's just some sort of...
David called it one time,
I forget what you called it.
Like a lot of yoga in the US
is sort of indulgence.
It becomes indulgence.
So to feel...
Bhoga.
Bhoga, yeah.
It's like indulgence.
It's just like eating chocolate.
Okay, so you're getting some kind of bliss,
but it doesn't help other people.
And a real yogi
is using this experience
and riding this experience
to try to see deeper into the nature of reality.
The result of a final grasp of ultimate reality
is that you would come out of your yoga
and desperately want to serve other people.
You see, if you really get Kundalini moving
and you really get the moon melting
and then you get up out of that meditation,
that kind of person would be sort of obsessed
with trying to serve and help other people.
Because that's what the experience brings you.
So it's not some sort of indulgence
in the physical sensation of what Matsyendra Asana can bring you.
Okay?
All right.
And if you don't have that great blissful feeling yet
when you're doing Matsyendra, don't.
Don't worry about it.
Just keep going.
So we're going to do the next two verses,
verse 28 and 29.
Reading 4.
Reading 4.
Prasarya Padau Bhuvhi Dandarupau
Dorbyam Padagradvitayam Gharhitva
Janu Parinyastha Lalata Desho
Vasedidham Prasthimathanam Mahu
stretch your legs out, straight as rods, on the ground.
Do you want to turn your mat around? I don't know.
Is it comfortable for you?
Is it comfortable?
Okay.
Then with your hands, grasp the tops of your feet
and set your forehead down on your extended knees.
This pose is known as the back stretch.
You could come out whenever you...
Oh, I think you should stay.
One of the great things about this pose
is that you could stay in it for a really long time
and that it's really beneficial to stay in this pose
for an extended period of time.
If you notice the keyword here,
it's not Pashtimottanasana,
which is how it's normally said.
This is another way to say this.
asana, it's Pashtimata-nasana, right? Or Pashtimata-nasana, actually. And Pashtima means
west or back. The reason it means back is because you're always facing to the east when
you do your practice. So the west is always behind you, right? So it became known as back
as well as west. And then, um, tan is a root which means to stretch. So, um, uttana, which
would be paschima plus uttana, which would be paschimota, right? That, um, that means,
that means a stretch, right? And, but tanah has the additional meaning of a progression.
So it's like a continuing stretch.
It's not just the back stretch.
It's continuing to stretch the back as you sit there in your pose for 10 minutes, you know.
I don't know how long you want to sit there, but...
Don't fall asleep.
It's probably very comfortable for Anatole.
Some of the guidance that we've gotten from this pose over the years from our holy lamas is you have to bend from the area of the hips.
You're not curving your back at all.
You're supposed to lengthen your back.
Tan, like stretch, like extend.
The word, you know, extend.
So you're actually leading with your heart towards your toes, right?
And, yeah, you want to be able to target the top of your head towards your toenails, right?
So you're stretching your body so that usually most people's toenails don't reach the top of their head,
but an adult already gets there.
But you want to continually stretch that area of your back so that it's flat against your knees,
so that there's no curve at all.
In order to do this, you have to hollow out your abdomen a little bit
And as you're going down, you have Udhyana Bandha
Which we talked about before
You know, your abdomen is in and up and hollowed out
So, if you're doing this pose in the right way
it stimulates
the muladhara chakra
because
of the pressure
as you lean forward
hold on just a second
I know this is not your favorite part of the class
strip asana
yeah
So Anatole is leading forward, and so he's getting a little bit of pressure
on where we talked about that perennium area in the Muladhara chakra.
And since he's bending from the hips and not from this area of the stomach,
he's also getting a nice pressure at the Svaristana chakra,
where that cha letter is, you know, where the three channels meet.
And because he's hollowing out his abdomen and doing a nice Udhyana Bandha,
it's also great for the Manipura Chakra.
So, then we go to the next verse.
Iti paschimathanam asanagriyam pavanam paschimavahinam karoti udayam
cataranalasyah puryad udare karsyamarogyatam ca punsam
This one called the backstretch is the very best of all poses.
It makes the sweeper, the god of wind, ride strong within the back.
It sparks the fire in the belly, reawakening it, and makes the abdomen lean again.
It frees us too from disease
So
Because we are triggering
All of these points
In our lower chakras
It stimulates what they call
The god of the wind here
Which is pavana
In the Sanskrit
The sweeper
And they've got many many names
For wind
Inner winds
In Sanskrit
and it's kind of like that thing where the Eskimos have 12 words for snow.
You know, you have a lot of different words for something that you're obsessed about
and something that you talk about all the time.
They've got about 10 different words for body in Sanskrit,
you know, because they deal with the body, because the body is their tool.
It's the way they're going to get to freedom.
So they've got these beautiful epithets for wind.
And this one, this one is like, it's like a god, you know, it's, it's associated in the Hindu scriptures with Indra.
And he's supposed to be riding on the shining chariot with like a thousand purple horses.
And it's, it's like this idea of this very, very powerful God and stimulating him in the body.
You know, we talked about kundalini being female,
but then we have got this very masculine energy god of wind thing happening.
So we've got both metaphors.
In Tibetan, they also have this idea of the god of wind.
They say it comes from the direction of the northwest.
And then the god of fire comes from the southeast.
And whenever you do a ritual, if you want to let the god of wind in,
You have to let it in, the god of wind in through the northwestern door.
Right?
Right?
So, you use the lower chakras to stimulate this god of winds running all the way up the back.
And you should get this energy flowing as you do this pose all the way up the back and then through your arms.
And it should be this circuit that you create.
It's going up through the legs and then through the back of the spine and out through the head and up through the arms.
And you can get this feeling very, very strongly of a circle of prana happening in the body as you do this pose.
because the pulling sensation that you get on the muscles of your body,
like the backs of your legs are sort of stretched when you do this pose,
that is actually triggering prana flowing up your legs and into your back.
So anytime you have that sensation of a pulling sensation in your body,
it's a trigger for the prana.
It's telling you that the prana is moving.
So you can no longer think of it as just stretching your muscles.
You have to put a different mental picture on what's going on when you do the asanas.
You're no longer picturing the flesh and blood body.
You're picturing an inner body.
You're picturing a body of channels made of light with winds, inner winds that are moving.
The stronger you have this picture in your mind, the more effective the pose will be for you.
I guess you Michael told me how to go quickly today.
So.
As long as I didn't move anything up.
Yeah.
There's a couple.
Other things, but...
Okay.
Now we're going to try another post.
Good luck.
By the way, there's a mistake in the Sanskrit pronunciation.
The first word should be dharma.
dharma avashtabhyā karadvayena tatkurdbhāra
stāpidana viparshava
uchasana dandava utituke mayara
metat prahadanti pita
plant your two hands firmly on the ground
put your elbows at each side of your navel
keep yourself lifted up, balanced straight as a rod
then you will be in the one they call the peacock pose
mayarasana
a few practical notes here
if you're not used to it, be careful you follow your notes
you might already
seriously
and
anyway
in India
this is a very popular post
like when we study in India
we go for a couple months every year
and everyone wants you to do
maya asana
oh, one way
is to let your feet touch the ground
if you can't get all the way up
then just do it
this way for a while
don't hurt your wrists
you can hurt your wrists in this pose
and
we've just discovered personally that
it seems to us that women have an easier
time of it if they
cross
going to a lotus first
because their center of gravity
is in your hips and not in your shoulders
so if you're a woman
and you're getting frustrated
you might do this one
and if you've seen a peacock they look like this
if you raise your legs up high
that's easier for women usually
then
easier for me
and then it's a trick to breathe smoothly
and not let your breath chuck off
we're checking here
I don't hear anything
in Tibetan it's called maja
I think ma came from
you can stop
anytime you want
Next he lists the benefits of this pose,
and I'll go into those.
This is the next verse.
The peacock poses the eminent among all for removing every disease,
quickly making them dwindle away.
It makes the power in the belly invincible,
and overcomes every imbalance of the humors.
It enables your body to break down even large amounts of food,
and that which has not been chewed, you know.
It kindles the fire in the belly, crushing even old age,
and the lord of death as well.
Again, if prana moves, you'll be less likely to fall ill.
This pose is just really great for your core.
So if you're from the West Coast, you want to be doing a lot of these.
The humor is, we're not going to talk about tonight,
but it's the three doshas.
And the dosha means, in Tibetan it's called neche,
it means a problem.
And it's explained as meaning the three elements of wind, phlegm, and what's that word?
Bile.
Bile in your body.
If they get out of balance, it's a problem.
So they call them the problems.
And then I translated for, I was fortunate enough to translate for both of His Holinesses' doctors
when they were visiting me.
And they had this beautiful thing.
would say, the natural condition of a human body is that the doshas are out of balance.
And for them to be in balance is an accident. So it's an accident to be healthy. A normal
human body, it's abnormal for it to be healthy. And the reason they call the three humors
the doshas, is that it reflects the truth that the normal condition of a human body is to be
sick and to be out of balance. And then the next thing out of the Daya Lama's doctor's mouth would
be, therefore, if you have any semblance of health now, use it before you get sick, before you go
back to your normal condition. Like, if you
have any vitality or
health now,
then for God's sake, you know, use it
for something important.
Serve other people.
It helps break down food, and that
which has not been chewed enough. All yogis should be
chewing their food lots of times.
You know that.
Kindles the digestive fire. But here's the thing.
It says, crush us even
old age and the lord of death.
and it really irritates me
I have sort of pet peeves
about how things are taught
and then whenever a yoga text
all yoga texts
Shiva Sahitam
Gaurakshya Shatakam
Geran Samhita
Yoga Sutra
all of the great yoga texts
Hatha Yoga Pidipika
and its commentary
which we haven't spoken much about
there's a great commentary
called the Jyotsma
by Brahmananda
they all say the same thing
keep doing these asanas
and you will overcome old age and death
and then most yoga teachers just skip that part
oh yeah, old age and death
I read, there's a beautiful book
by a British civil servant
from the 1800s
about Ghoraksha
maybe it's called Ghoraksha and the Kanpad yogis
or something
and he does a study of the yogis
he interviews them
and then somewhere in there he says
oh and I met a yogi yesterday
who claimed to have lived for 700 years.
And I questioned him quite strictly
about the events in this city that I knew about
that had taken place hundreds of years ago.
And he knew them all perfectly.
And then he just goes on.
He just doesn't pause to think,
well, maybe that's significant.
You know, he just goes on.
And the same thing with the Heart Citra in Buddhism.
If you keep doing this, you will overcome old age and death.
If you really understand yoga, you will stop old age and death.
And wouldn't that be a gift to give people?
We have an opportunity.
We don't have a place to stay.
We don't own anything.
So we stay in our friend's apartment kindly, up on the Upper West Side.
But sometimes it's a little depressing.
Sometimes we wish we were back on the Lower East Side.
Because everyone's very wealthy, but they're all dying.
They're all really old.
You can't find a coffee shop there,
because no one goes to the coffee shop.
What a gift if you could give people that.
The purpose, death is an accident.
Death is an abnormal occurrence.
Death wasn't supposed to happen.
We live in a broken realm.
among all the realms of the universe,
because of our past lives
and what we did in our past lives,
we have had to come to this realm.
And this realm is a mistake.
This realm is like a boo-boo, you know?
This is a boo-boo realm.
No, you know, you don't have to be jealous or angry
or you don't have to think badly of anyone here
because we're all in an airplane which is falling down.
You know?
We're all in a really bad situation.
We might as well be nice to each other.
We all screwed up in our past life.
Now we're all in this kind of body that's a...
This is a...
This is a...
Dead end.
It must end in death.
You know, this kind of body...
You go to the yoga studio for two hours to look younger,
but you're really just two hours closer to dying, you see?
And we...
are meant to be. And this is not
the kind of body
that we are meant to have. It was
just at the last minute in our last life
as we were dying, the mind
got distracted and we ended up
with this kind of body. Really, seriously.
And so we have to fix it.
So, you know, we're like,
I don't know how to say it. We're like in the
retarded class or something.
Now we're like people
who were born by
some bad karma
into a realm with bodies like this.
and we're so undeveloped
that we think that's normal.
And we don't think you could do more than that.
You see, we're so much believed
in the way we were born
that we don't really...
People skip these lines when they teach yoga.
They always skip the part about
you don't have to get old, you don't have to die.
And the purpose of this class
and the purpose of this text
and the purpose of asanas
is to restore the flow of prana,
bring it into the central channel,
and make your body the way it was meant to be,
which is light.
And all those pictures of angels in Europe,
you know, we go to Europe sometimes,
we go to the cathedrals just to see the stained glass,
to see light coming through an angel's body,
you know, like in Paris,
what's that famous place?
I don't know, Notre Dame.
I like that.
There's a reason.
somebody saw them
it's not
try to understand
that when you go to a cathedral
and you see a stained glass window of an angel
and there's light coming to their body
that's because someone once
saw them
and they made an image of them
and then other people might have copied it and not seen them
but that's the way we are meant to be
so
so
do it, okay? I can't do it on the way.
I do it with my feet down.
But now every time you
do it, think about that.
Think about this line. Take that pose.
Make that pose more of a daily
pose. And then think about
the angels in the cathedrals.
Okay, I get to do
Geshe Michael's favorite pose.
verse 32
Uttanam shavavad bhumau
shayanam tach chavasanam
shavasanam shrantiharam
chitna vishrantikarakam
maybe you should demonstrate this pose
lie down on your back
on the ground, staying still there like a corpse.
This is the corpse pose.
It removes fatigue and brings repose to the mind.
So, Geshe Michael, he jokes about this being his favorite pose,
but actually, I want to tell you,
he got really busted by Lady Ruth the other day when we were in class
because he was trying to short this pose.
And just to speak my Holy Lama's words, you can't short Shavasana, you know.
It's an important pose.
It's a really important pose.
What they say in Tibetan is it distributes all the drops in the body.
They say Tigle Drenpa.
It spreads the prana that you have, I don't know, asana practice, it raises a lot of energy, a lot of the prana in the body.
And then you lie there, like, and it's all here.
And it just releases it evenly throughout the whole body.
One of the most common practices of Shavasana, which we find very helpful, is noticing in your body if there's any tension and then trying to actively get your mind to release that tension that's in your body.
And I think anybody who's ever done an Asana practice has experienced this.
But a deeper practice, which we were encouraged to do in places like Kavalyadam in India, which we were studying,
is just to watch what the prana is doing in the body.
You feel a certain amount of energy lying there.
And watch what it's doing.
Just listen to your inner body.
Try and get in touch with something that's not flesh and bone.
and blood. Try and get in touch with that inner body that's moving that subtle energy around,
and see what it's doing, and listen to it, and feel it spreading throughout the body.
But the most important thing that we do with this pose is we dedicate our practice.
So it's very great to start off the practice with a very strong intention and then to end the practice with a very strong dedication.
We're supposed to be doing every breath for the sake of getting enlightened, reaching that state of deathlessness so that we can help other beings.
Every single breath of our asana practice is supposed to be with that thought in mind.
But unfortunately, we don't have that concentration in our hearts right now.
You know, our mind flies off to other things.
So Shavasana is a perfect place to bring the mind back to your original intention.
You know, I spent an hour and a half doing asanas.
I thought about somebody else once.
But now I'm going to think about that whole hour and a half.
I'm going to take that whole time period and I'm going to dedicate it to other people.
I'm going to dedicate it to reaching my goals of, you know, getting, I feel the prana running through my body.
I know that this practice is getting me to a body of light so that I don't have to die,
so that I can teach everybody that I love how not to die too.
You know, and you have to think like that when you're ending your practice,
or else the practice becomes a worldly thing.
You know, it's the whole world around us, including our bodies, including all of our pain, including everybody we love who is suffering, is all coming from our minds.
Right?
It's coming from thoughts that we have in our minds every single instant.
We're making our future world.
You have to take every opportunity to make sure that your future world is the world that you want to live in.
You have to take the opportunity to make sure that the practices you're doing are practices that are going to get you enlightened.
The asanas themselves are not going to do it for you.
Because raw karma is formed by the mind.
It's formed by your intention.
you know this could just be a scratch or it could be like a stretch or it could be i'm going to get
myself enlightened you see like it could be the very same action it's just like um you know guru
drinking like 500 gallons of beer. The action itself has no meaning whatsoever. The asana
itself has no self-existent quality to help you or your body. People do asanas and they
get hurt. People die during yoga. It's only our intention. So every time we do our practice,
in order to make this a practice, in order to make this something that's going to reshape
our world into what we want it to be, we must, we must dedicate. We must lie there in deep
pose. And think about why we just spent an hour and a half of our lives moving our bodies around
and what we hope to gain from this. And it's a perfect opportunity to get clear in our minds
our ultimate goal, to remind ourselves. Because then when we get up from our asana practice,
we carry it with us. We carry that thought of, I need to get enlightened. I need to create myself
body. I'm going to do it. You know, you re-establish your purpose in life. As you lie there, not
falling asleep, right? There's one interesting thing about the word Shranti Hara. Shranti
it or to remove it. And we get the word discard from that, the C-A-R-D. There's a very interesting
word in our lineage that's related to this word. It's called Shramanera. Say Shramanera.
It's Getsol in Tibetan. And we have some Getsols over there. No? One Getsol.
We have one Geetzel over there.
Two.
Two.
Three.
Three, okay.
We've got three Geetzels, right?
So the meaning of the word Shramanera or Geetzel is exhausting yourself in the service of your Lama,
in the service of your teacher.
What?
Navis.
And that's a word for a novice monk or nun, right?
so um we should be pushing ourselves in our practice and we should be pushing ourselves
for our lamas to the point where we're ready to do shavasana you know like to the point where we've
earned it to the point where we just fall down we're like oh my god thank god i can lie down
for five minutes you know you should be at the point in your in your life where um you're exhausted
in the service of others, and you're exhausted
in the service of your practice, and you're exhausted
in the service of your lamas,
you know, don't hold back.
You know, Shamanara.
Every night I like to tell you,
just before the break, about a project
that's going on.
Thank you.
Let's have a hand.
This is a...
Sometimes we give people projects.
And if you want a project,
just talk to us, okay?
No, really.
It's a joke.
If you get within six feet, you get a project.
But if you're somebody who wants a project in life,
let us know.
We'll be happy to give you one.
But I know many people here are working on different projects.
I'd say 40, 50 people here
have these beautiful projects.
And each night I'd like to tell you about some of them.
Because maybe you want to help them.
Maybe you want to.
Service of other people, right?
Like our Lama always says,
Yoga, meditation, study, memorization,
and then serve other people.
You have to serve other people.
So these are different things
that different people are doing
to serve other people.
And I know there are some people here
who are school teachers.
And I thought you might like to see it.
I just met two...
I think it's Barbara from Philadelphia.
But this is a project
that's being undertaken by some yogis
who stay out at Diamond Mountain.
And they are bringing yoga and yogic principles
into the public schools in a non-sectarian way,
just in a secular way.
Bringing yoga and the principles of yoga into public schools.
And it's been very successful in several states.
And I thought you might like to see it.
And if you're a school teacher,
or if you're someone who just likes to work with kids,
then feel free to talk to...
Where's Eliana?
I don't know where she is.
She's back there, standing up.
So, we're going to show this little video
that Eliana and her people put together.
Okay?
So, we're on reading 4, page 10, verse 33.
Sivana katitani ca.
Te bhyasca catushka madhyasara.
Bhutam bravim yaham.
Shiva taught 84 different poses.
Here now I shall take those four of them, which are the very essence, and describe them for you.
we're going to turn the lights on
so you can take notes and see your
reading
there you go
So, we just got through going through a set of asanas
that was passed down to us by the great sages and the great yogis of the past.
We said yogis and munis, if you remember.
And now we are getting the four most important ones that were passed down by the angels,
you know, by Lord Shiva himself.
And this verse is talking about where the Hatha yoga practice is leading us.
So we are being given all sorts of poses, you know.
Maybe you know 84, maybe you know 84,000.
This 84 is sort of a generic number in ancient times.
Sometimes they say 84,000, and it just means a huge amount, thousands, a lot, you know.
And so we're getting to the four most important asanas among thousands.
And the reason that they're the four most important asanas is because they're asanas for meditation.
The asana, originally, you know the word for asana just means seat.
And all of the yogic practices are leading us to a point where we can just sit down
and go within our own minds and get to a deep state of meditative concentration
and see emptiness directly.
Every single thing in this book is leading us to the goal of Raja Yoga, right?
The king of yogas, the yoga of the profound state, the yoga of ultimate reality.
So we need to learn how to meditate.
We need to learn how to get our minds in that deep state of single-pointed concentration on a single thing.
Why?
Because we talked about already the raw karma is thought.
Raw karma happens in the mind.
Every single word we speak, every single action we do, we do propelled by some sort of thought.
But it's propelled mostly by some sort of unconscious thought.
We are not aware of the actions that we do during the day.
We are not thinking about the consequences of the actions that we do 23 hours and 57 minutes of the day.
Maybe I'll give you three seconds, you know, like three minutes maybe we're aware.
of what our actions and what our speech and what our thoughts are going to cause us in the future.
You can do a test.
You can sit down and eat your breakfast
and try and remain conscious of every single bite of food that you take.
You can do a test.
can say a little prayer in your mind as you take your bite of food. I'm eating in order
to get a light, you know, strengthen my body so that I can do my practices, so I can get
a light body so that I can save every single living being on this planet, right? And that
would be a great way to eat. Like that would be the ideal way to eat your cereal in the
morning. We eat Cheerios. It would be the best Cheerios you ever ate. Every single bite for
somebody else. Every single bite for everybody else, right? But if you try this exercise,
you will find, I'm sure, that your mind goes off on the second bite. And that's the reason
why people do prayers before they eat.
No, I'm totally serious.
You can't concentrate.
You're supposed to be doing a prayer for every single bite.
But our minds are so weak.
Our minds are so flabby
that there's no way that we can concentrate on every single bite.
So we just do this little blah, blah, blah before,
and we dedicate it.
Okay, I'm going to be totally conscious-less during this entire food,
But beforehand, I'm going to say, well, every single bite, I dedicate it, you know.
And it's sort of like the cheap way out.
And you have to get to the point where your mind is no longer flabby.
You have to be as good in your mind as you are in your asana practice, in your body.
You have to train the mind.
The mind is like a muscle, you know.
You train it five minute pieces of concentration at a time.
You sit down and you focus on your Cheerios for one bite.
And then you try the next day to focus on your Cheerios for two bites.
That's...
And then...
see if you can still focus on your Cheerios.
And then you focus on your Cheerios for three bites.
And it's a growing process.
It's a step-by-step process.
And it's the training of deep concentration in meditation.
Because we want to get to the point where we know what we're doing
with our thoughts and our words and our actions.
We want to get to the point where our thoughts and our words
and our actions are so powerful
that they trigger a transformation
in our immediate future.
The only way to control your karmic seeds
is to get to that point of concentration
where you know very consciously
what you're doing
at every step of the way.
Right?
So the only time I've ever had
that deep a state of concentration
is in retreat.
To be quite honest with you, even when you go into retreat and you get to a very deep state of concentration
and you reach these certain stages and you think they're going to last forever
and then you come out into the world and you pop right back out again.
It's kind of depressing actually.
I mean, my dream is that I would be able to be in the world and be in as deep a state of concentration as I am when I'm in a deep state of retreat in meditation and not seeing anybody.
You know, I could interact in the world in that same way and I will figure out how to do it eventually.
But that's the reason why people go into meditation retreats.
because you can't normally interact in the world in such a,
like, it's such a distracting place, this world, you know, this outer world,
with all of these people and all of these things and all these places to go.
And you can't normally have a deep state of meditative concentration.
You have to draw yourself and you have to draw your mind within.
And these are the four poses that are going to allow us to do that in the simplest way possible.
You know, they will trigger certain chronic effects in our body that will enable our minds to concentrate better.
And these have been studied by yogis, all the yogis that we've read about.
You know, all the yogis that we heard, the Mahasiddhi stories.
All of these yogis are the yogis that sat down and figured out just for you
what was the most important pose for you to get the best concentration you can
in your tiny five-minute concentration during the day,
or 10, or 15, or 20, as you build up, right?
Am I doing this?
You do this.
We're fighting over who's doing the verse.
He won.
Siddhampadmam
Tata Singham
Vadram Cheti
Chatus Chayam
Shrestam Tata Pichasukhe
These four consist of the poses we call the Master, the Lotus, the Lion, and the Examen.
The best of these in turn, and the one you should always use for sitting without discomfort, is the Master's pose.
The key word here, can you guess?
I mean, not the real keyword on the page,
but the important word here is
sitting without discomfort.
And we, you know,
we did this three-year retreat.
We didn't have a chair.
We always sat on the floor.
And we practiced many, many hours a day.
And we really paid a lot of attention
to sitting poses,
like poses for sitting
for long periods of meditation
or mantra practice.
so a lot of what we're going to say
comes from just experience
and what we found to be helpful.
We'll get to Lotus Pose.
The Lotus Pose is coming
and it's the king of all asanas.
I think Guruji says that.
And it's very important.
But just from personal experience,
I've sat cross-degged my whole adult life.
You know, we've been taught yoga from the best.
and in retreat
you don't have anything else to do
I mean you do two, three hours of yoga a day
and still I couldn't get into
lotus asana more than
about an hour
we would time it
it would be like this torture test
and we would set an alarm
for an hour and four minutes
and then we'd get up to an hour and five minutes
but it's very difficult
and frankly
for most people
it would damage your knees
it's not appropriate for most people.
Now why and what you can do about it
and how to perfect it
is going to be a big part of the teaching tomorrow.
We'll be going through how to do lotus properly.
In the meantime,
what Master Svatmarama is saying
is that Siddhasana is the one for us.
And personally,
I had not done Siddhasana before the three-year retreat.
And then during the three-year retreat, I started experimenting.
And because of this text and some other texts, I tried siddhasana.
And it just really worked well for me.
And so I'm sort of a siddhasana convert.
And I think he knew that it would be appropriate for most people.
So he goes into a long description about siddhasana called Master's Pose.
Siddha means a master.
And in Tibetan it's called Tung Tsong.
which preserves the feeling of straight.
Like sitting up straight and morally straight.
Changsong means stay straight.
Morally and physically.
And Siddha means the same thing.
When you're in a rickshaw in India
and you don't want to go out of turn,
you're yelling what?
Siddha.
Siddha.
Just go straight, you know.
And it's still the word.
So he goes into a long description of Siddhasana.
so we'll just do it from here.
We're on verse 35.
Yoni sthanakam angri mula gatitam kratpa dodam linyasen
angre padam atayakam eva huddaye kratpa hanam sustiram
sthanu sanyam itendriyocana
dursha pashe bhruvarantaram
hyetan moksha kapata peda
janakam siddhasanam prachate
Press the heel of one of your feet
up into where a vagina would be.
So these were written mostly for guys, right?
And Yoni's Tanakam
means the place where the Yoni was.
Yoni can mean womb or the lady's organ.
So one foot, one heel
goes into the Mulabandha area,
the perineum, right?
For guys, it's below the skodham.
So you have to lift things up
and put the heel under there.
Then take the other foot and place it at your penis.
But what it means is, in the next verse,
he'll say it's a little bit above.
So for a guy, your sexual organs are between the two feet.
So it's like that.
It's very comfortable for sitting for a long period of time.
Bend your chin down firmly towards your heart.
Sit as still as the trunk of a tree,
restraining your physical senses as well.
Look without shifting your gaze at the spot between your eyebrows.
This is called, say, bruvor.
Antaram.
Bruvor.
Bruvor.
Antaram.
Antaram.
Bruva came into English as brow.
Okay, bruvva came into English as brow, meaning eyebrows.
Okay, and those of you who care about Sanskrit, there's a rare dual case.
And here you see the dual genitive, right?
It's unusual.
So between the two,
antaram means,
antaram came into English as inter.
So you focus between the eyebrows.
In Tibetan it's called minsam.
Say min.
Minsam.
Minsam.
It's a very, very, very powerful place to concentrate.
And if you play music,
or you like to listen to music,
or like that,
or read books, I think,
it's where you are looking
when you're listening to music.
It's when you're really deep into music,
your eyes are closed, but they're kind of...
You know, they'll say, focus between your eyebrows.
And it feels in that general area.
But when you're really into your music,
I call it the slobber point.
I used to play music in a band, right?
I used to play sitar very seriously.
Now I play sitar amateurly.
But at a certain point of concentration, you forget to keep your lips up,
and there's just drool coming out of your mouth,
and you're not noticing it, because you're so into the music.
When your eyes go off, like, up there someplace,
and you're like looking, you're not really looking up here, right?
You're just like, you're just off, you know?
Joni Mitchell's Blue Album, on the front.
I mean, she's like, and that's what it is.
It's a space.
It's not that you're going like this, you know?
It's a space in your mind, you see?
And it feels like you're around here.
And the Tibetans will say,
if you want to recreate that space,
focus here, and then go in an inch or two.
So we tend, again, to focus,
we feel like there's a decal slapped on the outside of the skin.
and the Tibets are always saying,
no, no, the chakras are inside,
you know, go in.
So you do focus here,
but then you go in,
about an inch or two,
and then you just reach a space.
It's not like it matters
whether you're an inch or two inches in.
You just reach a certain space
and then you're there.
That's where you focus
when you're doing master's siddhasana.
This is known as the master's pose
and it is so amazing.
Oh, so amazing.
It helps you burst open the doors to vibrate.
Yeah.
You can do a master's pose
sort of like David Life in that calendar
where he's got his toes down
and the heels are up, right?
Pointing towards this guy.
And you can do it that way
and it's illustrated that way sometimes.
And you have both heels above the penis in a man.
I tried it.
I don't think it was that much amazing
and he doesn't say much more about it.
so let's just skip it.
No, I think it might be good for a stretch,
but I tried it for maybe a month
and it didn't seem any better for me personally.
Again, everyone finds their...
When you're working with the body,
everyone's body is very much different.
And you might...
Different people will discover different things
in the same text.
Different people will find,
oh, this one really works for me.
So I think it's useful to try all of them
and then see what works for you.
Okay, verse number 37.
This pose, the one we have called the masters,
is known by others who are knowledgeable.
As the, okay, sorry.
It should be as the diamond pose.
Some, moreover, speak of it as the freedom pose,
and still others call it the secret pose.
I just wanted to talk about diamond pose and freedom pose.
Say Vajrasana and Muktasana.
These are different names for Siddhasana.
In Tibet, Vajrasana is a full of this.
But in either case, there's an important reason for calling it
Vajrasana, right?
And this relates to the moment
that you will see ultimate reality directly,
which is the purpose of all asana practice.
The purpose of all yoga, the immediate purpose,
is to bring the winds into the central channel
so that you can see emptiness directly.
If you can reach a state of seeing emptiness directly,
then within seven lifetimes
your body will turn into diamond
into light
the light is very similar to a diamond
it is
ultimate
and there are no other
ultimate things in our life
or in our world
so the diamond
is the closest example in the real world
to something which is ultimate
because no
object can scratch a diamond
except another diamond.
So, even if before you had this experience,
you had no interest in diamonds,
then after you had this experience,
you would have a very,
a very, I don't know how to say,
unavoidable interest in diamonds.
And you would,
you might even want to work with diamonds,
even for very many years,
with no interest in diamonds,
than to remember the ten minutes that you saw this thing.
So, if you could reach this state of mind,
then you would always be near diamonds.
And the pose, vajrasana, diamond pose,
is important for that reason.
Then, within a short time,
you would reach mukta, and that's the next word in it, muktasana,
which has two levels.
The first level of muktasana is that because of what you saw during the five minutes, ten minutes,
you are empowered within a short time, relatively short, right, for people who live forever,
to remove the last of your mental negativities, anger, jealousy, hatred, desire,
if you had this diamond experience
then within a short time
you could remove those
and that's Nirvana and that's Mukta
in a short time after that
the body itself would turn into light
and then there's just
an incomparable experience
it's what
it's what all of us dream of.
Ever since you were a small kid,
every one of us has had the same dream.
Deep inside, we've had the same dream.
We saw our parents suffer.
We saw our family, brothers, sisters suffer.
We slowly became aware of the suffering of the outside world.
But if you can use these poses,
Siddhasana, Muktasana, Vajrasana,
Diamond Pose, Freedom Pose.
If you could reach the goal of yoga
and bring the wind into the middle channel,
then there's just this incomparable vision
that you would be the one person
in the world
who could help the entire world.
You could help not only this world,
but countless worlds of people.
And not just humans,
but every living creature
down to the bottom of each sea on each world.
When you use Siddhasana properly,
when you reach these levels,
you reach a point where you can see
each living creature
on each world
no matter how small they are
in a single moment
you reach a state
because of your yoga practice
where you can see
directly
each one of these creatures
and you know
you will go and
save them
and make them like you
you see
so
So there's no greater purpose for our lives
than to reach this one experience.
Okay?
So I think we meditate for five minutes.
Just silent.
Try Siddhartha.
Good luck.
Just five minutes.
And then we'll make some kind of noise
and then we'll dedicate the good karma.
So try Siddhasana.
And then
I'll lead you
for the first few moments.
So you sit up straight.
In Christy's class in Arizona,
you can't make any noise.
You get in big trouble.
Be considerate of other people
in the room.
Don't make any noise.
and then watch it Brad
out and in
Totally still, don't move.
Let's go.
The light is colored like water.
And it goes out and touches every living creature on every world.
And then you can see the face of each one in this moment.
And you know you will take care of each one. You yourself will take care of each one.
So stay there for a few minutes.
Okay.
Okay.
Delicate the kakarma, yeah?
Yeah.
Sashivoki
Jukshin Mertom
Tramri Rabinji
Nindegyemwadi
Sanghe Shintu
Satsang with Mooji
Sādhā mīēsē lējumē
Dhamphakuni thobhashom
Thank you.
Good night. Thank you.